Starting from a selection of videos of Italian post-war newsreels, preserved and offered to us by Archivio Istituto Luce, the video reflects on the paradox of media narratives related to the theme of 'bad weather' in the history of Italy.
Based on reports from Settimana Incom, Il picnic è stato rinviato per via del maltempo sheds light on the paradox of communication about bad weather, especially after the recent climatic events. Mainstream narratives often have a very dramatic tone of voice but use a basic, sparse communication style that provides no actual information other than the mere news report and lacks any assumption of responsibility, such as would be implied by the term "climate crisis".
Like a digital interface, archival windows open on a screen while a voice comments on events from today and yesterday: these are words written by journalist Antonio Cederna in several articles published between 1972 and 1988. What was referred to as 'bad weather' back then should today be called "climate crisis". However, it seems that little progress has been made.
This video is being presented at the 17th edition of Archivio Aperto (2024) in Bologna, in the out-of-competition screening 'Lezioni d'Archivio – INCOMbenze' on October 25th.
Subject: Sofia Cambiaggio & Beatrice Vincenti — Editing and direction: Sofia Cambiaggio & Beatrice Vincenti — Voice: Mohammad Mahameed — Video Copyright: Istituto Luce – Supervisors: Milo Adami, Alessandro Carrer
Starting from a selection of videos of Italian post-war newsreels, preserved and offered to us by Archivio Istituto Luce, the video reflects on the paradox of media narratives related to the theme of 'bad weather' in the history of Italy.
Based on reports from Settimana Incom, Il picnic è stato rinviato per via del maltempo sheds light on the paradox of communication about bad weather, especially after the recent climatic events. Mainstream narratives often have a very dramatic tone of voice but use a basic, sparse communication style that provides no actual information other than the mere news report and lacks any assumption of responsibility, such as would be implied by the term "climate crisis".
Like a digital interface, archival windows open on a screen while a voice comments on events from today and yesterday: these are words written by journalist Antonio Cederna in several articles published between 1972 and 1988. What was referred to as 'bad weather' back then should today be called "climate crisis". However, it seems that little progress has been made.
This video is being presented at the 17th edition of Archivio Aperto (2024) in Bologna, in the out-of-competition screening 'Lezioni d'Archivio – INCOMbenze' on October 25th.
Subject: Sofia Cambiaggio & Beatrice Vincenti — Editing and direction: Sofia Cambiaggio & Beatrice Vincenti — Voice: Mohammad Mahameed — Video Copyright: Istituto Luce – Supervisors: Milo Adami, Alessandro Carrer
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio
CONTACTS
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
CONTACTS
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio