Arrivederci e grazie is an experimental project that explores the receipt as a ready-made object and exploits the physical-chemical characteristics of thermal printing to investigate its material and generative potential. The act of anomalous darkening the paper by using different heat sources had created unexpected figures. Through observation, these figures take on unique meanings and interpretations. When shapes are completely abstract, our minds try to impose a meaningful interpretation even in the face of ambiguity, leading individuals to expand their perception creating an imaginary universe full of figures. This phenomenon is called pareidolia.
The receipt undergoes a transformation from a purely functional item, breaking into unique figures and signs due to consumer practices. The project includes a newspaper and an experimental insert with thermochromic ink on the cover. The first focuses on potential figures from darkening, while the second emphasizes lettering generated similarly, with attention to letters as visual signs. Reflection expands into NFTs through image processing from darkening, attributing value to each original digital token. This process serves as a pretext to turn the receipt from a disposable document into a precious digital art object.
Photographer: Sofia Cambiaggio — Graphic designer: Christian Stifani — Supervisor: Mario Cresci — Font: Erika Design by Moritz Appich © Gruppo Due — Print: Newspaper Club, London & ISIA Urbino — ISIA U 2023
Arrivederci e grazie is an experimental project that explores the receipt as a ready-made object and exploits the physical-chemical characteristics of thermal printing to investigate its material and generative potential. The act of anomalous darkening the paper by using different heat sources had created unexpected figures. Through observation, these figures take on unique meanings and interpretations. When shapes are completely abstract, our minds try to impose a meaningful interpretation even in the face of ambiguity, leading individuals to expand their perception creating an imaginary universe full of figures. This phenomenon is called pareidolia.
The receipt undergoes a transformation from a purely functional item, breaking into unique figures and signs due to consumer practices. The project includes a newspaper and an experimental insert with thermochromic ink on the cover. The first focuses on potential figures from darkening, while the second emphasizes lettering generated similarly, with attention to letters as visual signs. Reflection expands into NFTs through image processing from darkening, attributing value to each original digital token. This process serves as a pretext to turn the receipt from a disposable document into a precious digital art object.
Photographer: Sofia Cambiaggio — Graphic designer: Christian Stifani — Supervisor: Mario Cresci — Font: Erika Design by Moritz Appich © Gruppo Due — Print: Newspaper Club, London & ISIA Urbino — ISIA U 2023
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio
CONTACTS
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
CONTACTS
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio