Museums are full of faces and figures. I'm not just talking about paintings or official artworks, but also all those representations that are part of the museum context, such as architectural decorations like those found in the Palazzo Ducale of Urbino, for example.
In a moment of distraction from the planned visit to the galleries, I found myself observed by a thousand 'little faces', which seemed to follow me with their sight, talk to me, and suggest things with their facial and bodily expressions. So I decided to follow them...
Così vive e animate is like a game – dreamlike and ironic at the same time – which explores the theme of animated statues in myth, theater, and ancient and modern literature. It builds analogies and relationships between photographs and texts with the intention of prompting a mechanism of free association and imagination.
Photographer: Sofia Cambiaggio — Graphic designer: Sofia Cambiaggio — Supervisor: Leonardo Sonnoli — Font: Akzidenz-Grotesk Pro © Berthold Type Foundry — Print: ISIA Urbino — ISIA U 2023
Museums are full of faces and figures. I'm not just talking about paintings or official artworks, but also all those representations that are part of the museum context, such as architectural decorations like those found in the Palazzo Ducale of Urbino, for example.
In a moment of distraction from the planned visit to the galleries, I found myself observed by a thousand 'little faces', which seemed to follow me with their sight, talk to me, and suggest things with their facial and bodily expressions. So I decided to follow them...
Così vive e animate is like a game – dreamlike and ironic at the same time – which explores the theme of animated statues in myth, theater, and ancient and modern literature. It builds analogies and relationships between photographs and texts with the intention of prompting a mechanism of free association and imagination.
Photographer: Sofia Cambiaggio — Graphic designer: Sofia Cambiaggio — Supervisor: Leonardo Sonnoli — Font: Akzidenz-Grotesk Pro © Berthold Type Foundry — Print: ISIA Urbino — ISIA U 2023
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio
CONTACTS
Sofia Cambiaggio is an artist born (2000, Italy) and raised in Milan. Working predominantly with photography and graphic she explores different media like installations, video and editorial displays. She is now attending a MA Photography at ISIA Urbino.
CONTACTS
FACT-BASED BIOGRAPHY
EDUCATION
[MA]2022–/ Photography – ISIA Urbino
[BA]2019–22 Communication Design – Politecnico di Milano
WORKSHOP+TALK
[T]2024 Making Visible the Invisible. Body, Archive and Resistance – Angelica Pesarini
[T]2024 Museo delle opacità – Matteo Lucchetti
[W]2023 Come to see my backyard – Erik Kessels
[W]2023 Counter-surveillance – Adam Broomberg
[T]2023 Immagini e Processi: per una sperimentazione tecnica e concettuale – Giorgio Di Noto
[W]2023 Re-reading the museum – Joan Fontcuberta
[W]2023 Incontrare gli archivi nel mezzo della ricerca comunitaria – Viviana Gravano, Maria Thereza Alvez
[W]2023 Index Naturae. Il Libro Dei Libri – Stefania Rossl, Massimo Sordi (OMNE)
[W]2023 Fotografo quindi stampo – Antonio Manta
[W]2022 Unsafe Game – Politecnico di Milano, ATS Insubria
EXHIBITION+SCREENING
[S]2024 Archivio Aperto 17th edition, Lezioni d'archivio: INCOMbenze – Ex Chiesa di San Mattia, Bologna
[E]2024 Positioning Practices – Villa Romana, Firenze
[E]2023 Incomplete Itinerary. 24 contemporary churches in Lombardy – Spazio Rumore ISIA U, Urbino
[E]2023 INVENTARIO, Archivio Atena – Atena Lucana
[E]2023 Camere con vista. San Benedetto/Pesaro. Andata e ritorno – Rocca Roveresca, Senigallia
[E]2023 I frammenti e il tutto: Catalogo in Catalogo – Palazzo Ducale di Urbino
WORK
2024–/ Digital Assistant at D2Uno Photography Studio.
PUBLICATIONS
2024 – "The Art of Memory", catalogue of Archivio aperto 17th edition – Fondazione Home Movies
2024 Positioning Practices curated by Jonathan Pierini, Matteo Guidi, Silvana Amato, Alessandro Carrer, Armin Linke – Corraini Edizioni
2023 Il Palazzo Ducale di Urbino. I frammenti e il tutto curated by Luca Molinari – Marsilio